2023-2024 Oscars / 96th Academy Awards

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The 2023-2024 Oscars / 96th Academy Awards will take place on Sunday, March 10, 2024. The nominees were announced today, Tuesday, January 23, 2024:

Best Picture:
- American Fiction
- Anatomy of a Fall
- Barbie
- The Holdovers
- Killers of the Flower Moon
- Maestro
- Oppenheimer
- Past Lives
- Poor Things
- The Zone of Interest
 
Best Directing

Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Things)
Jonathan Glazer (The Zone of Interest)

Best Actor in a Leading Role

Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)

Best Actress in a Leading Role

Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Things)

Best Actor in a Supporting Role

Sterling K. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Things)

Best Actress in a Supporting Role

Emily Blunt (Oppenheimer)
Danielle Brooks (The Color Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da'Vine Joy Randolph (The Holdovers)

Best Writing (Adapted Screenplay)

American Fiction (Written for the screen by Cord Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the screen by Christopher Nolan)
Poor Things (Screenplay by Tony McNamara)
The Zone of Interest (Written by Jonathan Glazer)

Best Writing (Original Screenplay)

Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
May December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Past Lives (Written by Celine Song)
 
Best Animated Feature

The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental
(Peter Sohn and Denise Ream)
Nimona
(Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robot Dreams (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Across the Spider-Verse (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal)

Best Documentary Feature Film

Bobi Wine: The People's President (Moses Bwayo, Christopher Sharp and John Battsek)
The Eternal Memory (Nominees to be determined)
Four Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)

Best International Feature Film

Io Capitano (Italy)
Perfect Days (Japan)
Society of the Snow (Spain)
The Teacher's Lounge (Germany)
The Zone of Interest (United Kingdom)

Best Animated Short Film

Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-Five Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
War Is Over! Inspired by the Music of John & Yoko (Dave Mullins and Brad Booker)

Best Live-Action Short Film

The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Red, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Wonderful Story of Henry Sugar (Wes Anderson and Steven Rales)

Best Documentary Short Film

The ABCs of Book Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Last Repair Shop (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)

Best Cinematography

El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Things (Robbie Ryan)

Best Costume Design

Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Things (Holly Waddington)

Best Makeup and Hairstyling

Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Things (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)

Best Original Song

"The Fire Inside" from Flamin' Hot (Music and Lyric by Diane Warren)
"I'm Just Ken" from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
"It Never Went Away" from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
"Wahzhazhe (A Song for My People)" from Killers of the Flower Moon (Music and Lyric by Scott George)
"What Was I Made For?" from Barbie (Music and Lyric by Billie Eilish and Finneas O'Connell)

Best Original Score

American Fiction (Laura Karpman)
Indiana Jones and the Dial of Destiny (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Things (Jerskin Fendrix)

Best Production Design

Barbie (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
Killers of the Flower Moon (Production Design: Jack Fisk; Set Decoration: Adam Willis)
Napoleon (Production Design: Arthur Max; Set Decoration: Elli Griff)
Oppenheimer (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
Poor Things (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)

Best Film Editing

Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Things (Yorgos Mavropsaridis)

Best Sound

The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Impossible — Dead Reckoning Part One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O'Connell)
The Zone of Interest (Tarn Willers and Johnnie Burn)

Best Visual Effects

The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek)
Mission: Impossible — Dead Reckoning, Part One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)
 
In the controversy of the day, social media and the blogosphere are angry about Barbie and attacking the Oscars as patriarchal because Ryan Gosling as Ken was nominated for supporting actor but Margot Robbie as Barbie and Greta Gerwig weren't nominated for actress and director.
 
So, i feel like you're done. i don't know what this thread is intended to show, but man, saltburn should have been in there somewhere, fuck i would give it to b for his fit at the golden globes.


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Gosling can’t act. At all.
 
Seems like Nolan might finally get best director and/or beat picture given hoe Oppenheimer has by far the most nominations.
 
That's not true at all. He's great in a number of movies.
No. The movie DRIVE was great because they didn’t let him talk. He’s a terrible actor.
 
No. The movie DRIVE was great because they didn’t let him talk. He’s a terrible actor.

He was great in Blue Valentine, The Place Beyond the Pines, Crazy Stupid Love, Blade Runner 2049, First Man, and yeah Drive as well.
 
He was great in Blue Valentine, The Place Beyond the Pines, Crazy Stupid Love, Blade Runner 2049, First Man, and yeah Drive as well.
He didn’t talk in 2049.
And he was horrible in the other movies. He’s just a placeholder human.
 
Guys great in everything he's in. The Nice Guys, The Believer, Half Nelson, etc...
 
There was something “great” about Bladerunner 2049?
chicken will get on me, but the cinematography was great.

Deakins is fucking great
 
Which of the 2024 Oscar movies have you seen? How do you rank them?

I'm starting to seek them out and watch them where they are available for cheap rentals instead of the nonsense buy $20 digital copy that most are on still.

The best picture nominees this year are:

The Holdovers
American Fiction
The Zone of Interest
Barbie
Oppenheimer
Poor Things
Past Lives
Anatomy of a Fall
Maestro
Killers of the Flower Moon



Of those I have seen and rank them as:

1- Oppenheimer
2 - Anatomy of a Fall
3 - Past Lives
4 - The Holdovers
5 - Killers of the Flower Moon
6 - Barbie


I still want to see when they become available for cheap rent or streaming on one of the services:

The Zone of Interest - really want to see this one badly. Any sort of Nazi or Holocaust movie, sign me up.
Poor Things - Supposed to be very weird and I like that.


Haven't seen and have no interest in seeing:

- Maestro - gay shit
- American Fiction - race baiting shit
 
I'm starting to seek them out and watch them where they are available for cheap rentals instead of the nonsense buy $20 digital copy that most are on still.

The best picture nominees this year are:

The Holdovers
American Fiction
The Zone of Interest
Barbie
Oppenheimer
Poor Things
Past Lives
Anatomy of a Fall
Maestro
Killers of the Flower Moon



Of those I have seen and rank them as:

1- Oppenheimer
2 - Anatomy of a Fall
3 - Past Lives
4 - The Holdovers
5 - Killers of the Flower Moon
6 - Barbie


I still want to see when they become available for cheap rent or streaming on one of the services:

The Zone of Interest - really want to see this one badly. Any sort of Nazi or Holocaust movie, sign me up.
Poor Things - Supposed to be very weird and I like that.


Haven't seen and have no interest in seeing:

- Maestro - gay shit
- American Fiction - race baiting shit
Whichever movie wins Best Pic, will be the worst sack of crap imaginable! At least that's been my experience in the last decade.
 
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